0
Your Kosár
Atomos Ninja Ultra 5.2" 8K HDMI Rekorder Monitor
Nagyításhoz kattintson a képre vagy használja felette az egérgörgőt!
Az Atomos Ninja Ultra egy 8K RAW HDR SSD rögzítős monitor, 5,2"-os 1000nit fényerősségű háttérvilágítással, akár 8Kp30 és 4Kp120 folyamatos felvételt is kínál az Apple ProRes RAW-ban. A 8Kp30 és 4Kp120 formátumú felvétel képességével a Ninja Ultra lehetővé teszi, hogy a jelenleg használatban lévő, valamit a közeljövőben várható szinte bármilyen formátumban képes legyen rögzíteni.
A Ninja Ultra lelke az új Atomos Silicon chip, az AtomIC3. Az új formátumok zökkenőmentesen integrálódnak a meglévő ProRes RAW vagy ProRes projektek ütemtervébe, hatalmas tárolási és feldolgozási költségek nélkül.
A Ninja Ultra lehetőséget kínál HDMI-n keresztül akár 8k felbontásban 30 kép/mp-es (Canon EOS R5), vagy 4k felbontásban 120 kép/mp-es (Z Cam E2 és E2-M4) videófolyam ProRes RAW formátumban történő mentésére, de akár 10 bites H.265 tömörítésű videót is menthetünk. Opcionálisan SDI adapter is használható a videóbemenetnél.
Mivel az Atomos Ninja Ultra a Ninja fejlesztett változata, de sok tulajdonságukban megegyeznek, érdemes összehasonlítani a két terméket:
A Ninja Ultra lelke az új Atomos Silicon chip, az AtomIC3. Az új formátumok zökkenőmentesen integrálódnak a meglévő ProRes RAW vagy ProRes projektek ütemtervébe, hatalmas tárolási és feldolgozási költségek nélkül.
A Ninja Ultra lehetőséget kínál HDMI-n keresztül akár 8k felbontásban 30 kép/mp-es (Canon EOS R5), vagy 4k felbontásban 120 kép/mp-es (Z Cam E2 és E2-M4) videófolyam ProRes RAW formátumban történő mentésére, de akár 10 bites H.265 tömörítésű videót is menthetünk. Opcionálisan SDI adapter is használható a videóbemenetnél.
Mivel az Atomos Ninja Ultra a Ninja fejlesztett változata, de sok tulajdonságukban megegyeznek, érdemes összehasonlítani a két terméket:
| Atomos Ninja Ultra vs Atomos Ninja | ||
| Név: | Atomos Ninja Ultra | Atomos Ninja |
| Kijelző | ||
| Kijelző típusa: | IPS LCD | |
| Kijelző mérete | 5.2" / 13.2 cm | 5.0" / 12.7 cm |
| Felbontás | 1920 × 1080 | |
| Arány | 16:9 | |
| Érintőképernyő | Igen | |
| Maximális fényerősség | 1000 cd/m2 | |
| Bitmélység | 8-Bit+FRC (1.07 milliárd szín) | |
| PPI | 423 ppi | |
| Color Gamut | 100% Rec. 709 | |
| Valós idejű LUT monitorozás | SDR | |
| Megjeleníthető adatok | Anamorphic De-Squeeze, Blue Only, False Color, Focus Peaking, Pixel Zoom, RGB Parade, Scaling, Vectorscope, Waveform, Zebra | |
| Kimenetek / bemenetek | ||
| Video | 1 × HDMI Type A (HDMI 2.0) bemenet 1 × HDMI Type A (HDMI 2.0) kimenet |
|
| Beágyazott audió | HDMI: 2 csatorna HDMI: 8 csatorna |
|
| Analóg audió | 1 × 1/8" / 3.5 mm Mic/Line bemenet 1 × 1/8" / 3.5 mm fejhallgató kimenet |
|
| Beépített hangszóró | Nincs | |
| Áramellátás | 1 × D-Tap bemenet | |
| Egyéb | 1 × LANC (2.5 mm) | |
| Támogatott formátumok | ||
| Video | HDMI (8/10-Bit 4:2:2) 8K Raw: 30 4K Raw: 120/60/30 DCI 4K: 120/60/50/30/25/24 UHD 4K: 60/50/30/25/24 1080p: 120/60/50/30/25/24 1080i: 60/50 720p: 60/50 |
HDMI (8/10-Bit 4:2:2)
DCI 4K: 60/50/30/25/24 UHD 4K: 60/50/30/25/24 1080p: 120/60/50/30/25/24 1080i: 60/50 720p: 60/50 |
| Gamma Curve | Rec709 | |
| Videó jel átalakítás | HDMI to SDI DCI 4K: 60/50/30/25/24 UHD 4K: 60/50/30/25/24 1080p: 120/100/60/50/30/25/24 1080i: 60/50 720p: 60/50 |
|
| Timecode támogatás | Igen | NA |
| Felvétel | ||
| Pulldown conversion | 2:2, 3:2 | |
| Kamera vezérlés | HDMI | |
| Pre-roll felvétel | 4K: 2 Seconds Full HD: 8 Seconds |
|
| Encoding | Max. 7680 × 4320-ig ProRes 422, HQ, LT, Raw, Raw HQ 8/10-Bit 4:2:2 max. 120 fps-ig H.265 422 10-Bit 4:2:2 max. 120 fps-ig H.265 422 8/10-Bit 4:2:0 max. 120 fps-ig DNxHR HQ, HQX, LB, SQ 8/10-Bit |
Max. 4097 × 2160-ig ProRes 422, HQ, LT, Raw, Raw HQ 8/10-Bit DNxHR HQ, HQX, LB, SQ 8/10-Bit |
| Max. audió sávok száma | 12 | |
| Max metadata tag | 10 | |
| Áramellátás | ||
| DC input power | 6.2 ~ 16.8 VDC | |
| Beépített akkumulátor | Nincs | |
| CSatlakoztatható akkumulátor típus | 1 × L-sorozat | |
| Energiafelvétel | 10 W (átlagos) 22 W (maximális) |
|
| Működési hőmérséklet | 40°C | |
| Méretek | ||
| Ház anyaga | aluminium, polikarbonát | |
| Fizikai méret | 151 × 91.5 × 31.5 mm | |
| Súly | 360 g | |
• 1x Atomos Ninja Ultra rekorder monitor
• 1x USB-C PD to 2.1mm DC tápkábel
• 1x akkumulátor eliminátor
• 1x USB-C PD to 2.1mm DC tápkábel
• 1x akkumulátor eliminátor
Atomos Ninja Ultra Specifications |
|||
| Physical | |||
Dimensions (W x H x D mm) |
151mm x 91.5mm x 31 mm / 5.95" x 3.6" x 1.2" | ||
Weight |
360g / 12.7oz | ||
Mounting Points |
Top: 1 x 1/4"20 or 3/8" with anti rotational points, Bottom: 1 x 1/4"20 or 3/8" with anti rotational points | ||
Environmental |
|||
Ambient Operating Temperature |
Up to 40 Degrees Celsius | ||
Construction |
|||
Body |
Aluminium Alloy Chassis with ABS Polycarbonate Rear Enclosure | ||
Cooling |
Heat Sink + Actively controlled Fan | ||
| Tally Light | LED on the Rear of the Device | ||
| Multi-Function Button | Power / Lock Screen | ||
| AtomXpansion Slot | Integrated into Battery Slot | ||
| Touch Screen | Capacitive Touch | ||
Power |
|||
Input Voltage |
6.2V to 16.8V | ||
Operating Power |
10 - 22W | ||
Compatible Batteries |
1 x NP-F / L-Series | ||
Battery Runtime (Record) |
5200mAh: Up to 2 Hours – 7800mAh: up to 3 Hours | ||
DC-in Connector |
Via locking DC Jack (5.5mm OD & 2.1mm ID) on Battery Eliminator | ||
| D-Tap | Via Battery Eliminator and optional D-Tap to DC-Barrel Cable | ||
| Fan Control | Low, Medium, Auto / Turbo Cool / Dim Display | ||
| Display | |||
Display Panel |
SuperAtom IPS Panel (Capacitive Touch) | ||
Size |
5.2" | ||
Resolution |
1920 x 1080 | ||
| Viewing Angle | 178 + H & V | ||
PPI |
423 | ||
Bit Depth |
10-Bit (8+2 FRC) | ||
Backlight Type |
Edge-Lit | ||
| Brightness (cd/m² / nits) | 1000 | ||
| Aspect Ratio | 16:9 | ||
| Color Gamut | Rec.709 | ||
| Calibration Support | ATOMOS Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus | ||
Color Pipeline |
|||
Gamma |
Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Arri LogC4, Panasonic Vlog, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log, Z CAM Z-Log2, Olympus OM-Log400 / Flat, Leica L-Log | ||
Gamut |
BT2020, DCI P3, PDCI P3 65, Sony SGamut / SGamut3 / SGamut3.cine / Canon Cinema / DCI P3 / DCI P3+ / BT2020, Panasonic V Gamut, Arri Alexa Wide Gamut Rec709, JVC LS300, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut | ||
| 3D LUT Display | .Cube Format (17 & 33 points supported) | ||
| 3D LUT Output | Loop out | ||
| 3D LUT 50/50 Split | Via Compare Option in LUT Menu | ||
| Monitoring Modes | Native / HLG / PQ / 3D LUT | ||
| HDR Output Conversion | Camera Log to HLG / PQ | ||
| Color Management | |||
| Calibration | ATOMOS Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus | ||
| Display Controls | Backlight, Lift, Gamma, Gain | ||
| AtomHDR | Built-in Technical Log to HDR EOTF | ||
| 3D LUTs | Load .Cube files from SSD into 8 LUT Slots On-Device – Use for Monitoring, bake into Recordings (optional), or apply to HDMI / SDI Output Signals | ||
| Legalize | Full to Legal Range Conversion available via Input Menu | ||
| Video Input | |||
| HDMI | 1 x HDMI (2.0) | ||
| SDI | 1 x 12G SDI (optional Atomos Connect Accessory required) | ||
| Bit Depth | 8/10-Bit for Video / up to 12-Bit for RAW | ||
| Video Chroma Subsampling | YCbCr 4:2:0 & 4:2:2 | ||
| HDR | HDMI Auto Detection | ||
| Metadata | |||
| HDMI | RAW – White Balance, Exposure Index, Shutter Speed/Angle, Iris/F-Stop, ISO, Gamma, Gamut | ||
| SDI | File name from ARRI, Canon, RED & Sony via optional Atomos Connect module | ||
| File Naming | |||
| Standard | Scene/Shot/Take & Rolling Scene/Shot/Take | ||
| Via SDI | Auto-matched filenames from supported Arri, Canon, RED, Sony cameras (optional Atomos Connect Accessory required) | ||
| Video Output | |||
| HDMI | 1 x HDMI 2.0 | ||
| Video Chroma Subsampling | 4:2:2 | ||
| Bit Depth | 10-bit Video | ||
| Video Signal Conversion | |||
| SDI to HDMI | Supported (optional Atomos Connect Accessory required) | ||
| Audio In/Out | |||
| Audio Quality | 24-Bit / 48kHz | ||
| Audio Codec | PCM | ||
| HDMI | 8ch 24-Bit, Input dependent | ||
| SDI | 12ch 24-Bit, Input dependent | ||
| Analog Audio In | 3.5mm Jack | ||
| Analog Audio Out / Headphone Jack | 3.5mm Jack | ||
| Audio Input Delay | Frame Delay on Analog Input + Automatic Offset Calibration via AtomOS | ||
| Timecode / Sync | |||
| HDMI Embedded | Supported | ||
| SDI Embedded | Supported (optional Atomos Connect Accessory required) | ||
| Time of Day | Supported | ||
| Wireless SYNC | AirGlu™ SYNC Timecode Network (optional Atomos Connect Accessory required) | ||
| RF Network Range | 300m (optional Atomos Connect Accessory required) | ||
| RF Frequency | Region dependent (optional Atomos Connect Accessory required) | ||
| Number of RF Channels | 12 RF Channels per Region (optional Atomos Connect Accessory required) | ||
| Number of RF Clients | Region dependent (optional Atomos Connect Accessory required) | ||
| Bluetooth Network Range | 10-15m (line of sight) (optional Atomos Connect Accessory required) | ||
| Number of BT Clients | 2 Clients (optional Atomos Connect Accessory required) | ||
| Resolution and Frame Rates (Record, Monitor & Playback) | |||
| 8K RAW | up to 8Kp30 via HDMI | ||
| 6K RAW | up to 6Kp30 via HDMI & 6Kp30 via SDI (optional Atomos Connect Accessory required for SDI) | ||
| 4K RAW | up to 4Kp60 via HDMI / SDI (optional Atomos Connect Accessory required for SDI) | ||
| 3.5K Anamorphic RAW | up to 3.5Kp60 via HDMI | ||
| 2K RAW | up to 2Kp240 (optional Atomos Connect Accessory required for SDI) | ||
| 4K DCI | up to 4Kp60 | ||
| 4K UHD | up to UHDp60 | ||
| 2K DCI 2048 x 1080 | up to 2Kp60 (optional Atomos Connect Accessory required for SDI) | ||
| FHD 1920 x 1080 Interlaced | up to 1080p120 | ||
| FHD 1920 x 1080 PsF | Only via Pulldown to Progressive | ||
| FHD 1920 x 1080 Interlaced | 1080i50 / 1080i60 | ||
| 1280 x 720p | up to 720p60 | ||
| Recording Codecs | |||
| Apple ProRes RAW | ProRes RAW & RAW HQ | ||
| Apple ProRes | HQ, 422, LT | ||
| Avid DNxHD | 220x, 220, 145, 36 (.MOV Wrapper – .MXF Support coming soon) | ||
| Avid DNxHR | HQX, HQ, SQ, LB (.MOV Wrapper – .MXF Support coming soon) | ||
| H.265 | XQ, HQ, MQ, LQ (.MOV Wrapper) | ||
| Recording Functions | |||
| Camera to Cloud | H.265 uploaded to Atomos Edit, Adobe Frame.io, Sony CI Media (optional Atomos Connect Accessory required) | ||
| Simultaneous Proxy Recording | ProRes RAW / ProRes / DNx + H.265 Proxy in C2C Mode (optional Atomos Connect Accessory required) | ||
| Pre-roll Recording | 8s HD / 4s 4K – ProRes & DNx only | ||
| Timelapse | Supported | ||
| Gang Control | Via AirGlu™ SYNC Timecode Network (optional Atomos Connect Accessory required) | ||
| Scheduled Recording | At specified Time of Day or after a specified Time has elapsed | ||
| Playback | |||
| Playlist | Selected Clips, Favorites, or Combined | ||
| Loop | Supported, with user-customizable In / Out Markers | ||
| Apple ProRes Raw | Yes, Recorded clips only | ||
| Apple ProRes | HQ, 422, LT (Linear PCM Audio only) | ||
| Avid DNx | DNxHD: 220x, 220, 145, 36 – DNxHR HQX, HQ, SQ, LB (Linear PCM Audio only) | ||
| H.265 | Recorded clips only | ||
| Scheduled Playback | At specified Time of Day or after a specified Time has elapsed | ||
| Multi Input / Switching | |||
| Multiple HDMI Inputs | Supported (optional AtomX CAST Switching Dock required) | ||
| Multiview Display | Supported (optional AtomX CAST Switching Dock required) | ||
| Multiview Output | Supported (optional AtomX CAST Switching Dock required) | ||
| Picture in Picture (PiP) | Supported (optional AtomX CAST Switching Dock required) | ||
| Graphic Overlays | Supported (optional AtomX CAST Switching Dock required) | ||
| Media Pool Storage | 8 PNG Overlays (optional AtomX CAST Switching Dock required) | ||
| Input Transitions | Fade to White or Black (optional AtomX CAST Switching Dock required) | ||
| Supported Media | |||
| Master Caddy I | Not Supported | ||
| Master Caddy II | Supported – Not supported with AtomX CAST or Atomos Connect Accessories attached | ||
| Master Caddy III | Supported | ||
| SSDmini | Supported | ||
| CFast 2.0 | Supported via optional AtomX CFast 2.0 Adapter | ||
| Network | Capture to Cloud via Atomos Cloud Studio (optional Atomos Connect Accessory required) | ||
| File Naming | Unit Name – Scene/Shot/Take | ||
| File System | exFAT | ||
| Interface | SATA 3.0 | ||
| On-Screen Tools | |||
| Waveforms | 3 Sizes – Adjustable Opacity & Brightness | ||
| RGB Parade | 3 Sizes – Adjustable Opacity & Brightness | ||
| Vector Scope | 2 Sizes – Adjustable Opacity & Brightness | ||
| 1 x Zoom | Tap to Zoom | ||
| 2 x Zoom | Tap to Zoom | ||
| Focus Peaking | 3 Modes (Color, Black & White, Outline) with adjustable Outline Color & Peaking Intensity | ||
| Zebra | Adjustable Threshold (50% to 105%) | ||
| Isolate Color Channel | Blue Only | ||
| Cine Frame Guides | 6 Presets & Custom Frame Guide Calculator | ||
| Social Frame Guides | 4 Presets & Custom Frame Guide Calculator | ||
| Safe Areas | SMPTE Safe Title Area – 93% & 90% | ||
| Grid Markers | 9 Grid | ||
| Anamorphic Desqueeze | 2x, 1.8x, 1.79x, 1.65x, 1.6x, 1.5x, 1.33x, 1.25x | ||
| Display Flip | Vertical | ||
| Colorized Exposure | Atomos False Color, EL Zone System, Arri False Color | ||
| Frame Grab + Onion Skin Overlay | Capture lossless 1920 x 1080 Pixel Frame Grab & Overlay with various Position + Transparency Options | ||
| Onboard Signal Processing | |||
| 4K UHD Downscale for HD | Available on loop out | ||
| DCI Crop | Available on loop out | ||
| Interlaced to Progressive | 2:2 & 3:2 Pulldown | ||
| PsF to Progressive | 2:2 & 3:2 Pulldown | ||
| Optional Activation Keys | |||
| NDI HX2 TX (HD) | $99 optional Activation available via my.atomos.com | ||
| NDI HX2 TX (4K) | $199 optional Activation available via my.atomos.com | ||
| Remote Control | |||
| HDMI | Trigger Recording via Camera Record Button – Supported Protocols: Canon, Sony, Atomos Open Standard, Timecode (Rec Run) | ||
| SDI | Trigger Recording via Camera Record Button – Supported Protocols: Arri, Canon, Ikegami, JVC, Panasonic, RED, Sony, Timecode (Rec Run) (optional Atomos Connect Accessory required) | ||
| Serial 2.5mm Jack | Start & Stop Recording via compatible LANC Remotes – Calibration via optional USB to Serial Cable | ||
| Bluetooth LE | Via AtomRemote App (optional Atomos Connect Accessory required) | ||
| Wireless RF | AirGlu™ Gang Control (optional Atomos Connect Accessory required) | ||
| External Device Control | |||
| Serial 2.5mm Jack | Z CAM Camera Control via Remote to USB-C Cable | ||
| Cut & Tag | |||
| FCP XML | Up to 10 Tags supported for each Clip | ||
| Supported Applications | |||
| XML | Apple Final Cut Pro (.fcpxml) | ||
| Apple ProRes RAW | Apple Final Cut Pro, Adobe Premiere, Avid Media Composer, Grass Valley Edius, ASSIMILATE SCRATCH, FilmLight Baselight | ||
| Video Codecs | All NLE applications that support Apple ProRes, Avid DNx and H.265 in .MOV Wrapper | ||
| What’s in the box | |||
| Box Contents | 1 x Ninja Ultra , 1 x Battery Eliminator, 1 x USB C PD to 2.1mm DC power lead, 1 x QuickStart Guide | ||
| Optional extras | Atomos Connect Accessory, AtomX CAST Switching Dock, Sunhood, DC to D-Tap, Power Kit, HDMI Cables, USB to Serial cable, UltraSync ONE, UltraSync Blue | ||